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|Titolo:||Impure lines. Multilingualism, hybridity, and cosmopolitanism in contemporary women’s poetry|
|Autori interni:||CAMBONI, Marina|
|Data di pubblicazione:||2007|
|Rivista:||CONTEMPORARY WOMEN'S WRITING|
|Abstract:||This text is an invited contribution to the inaugural roundtable of the first issue of the journal Contemporary Women's Writing. In it I suggest that a new journal devoted to criticism and to women's writing should decidedly move towards a cosmopolitan and multilingual critical perspective. Coherently, I address four major varieties of what I consider multilingual and cosmopolitan poetry, assigning to each of them a distinctive name to better pinpoint its dominating characteristic: nepantla or multicentric; exo or of the outsider; de l’irriducibilité or of the suffering visible body; and nomadic “otherhow.” I also argue that, although each variety entails its own complexity, there are at least two elements that cross over the varieties to form a common core. One is the poets’ resistance to systemic order and constrictions (social, cultural, national, linguistic). The second is their advocacy of plurality and complexity. For each variety, I have selected at least one representative poet. These are Gloria Anzaldua, Toni Maraini, Theresa Hak Kyung Cha, and Anne Blonstein.|
|Appare nelle tipologie:||01.01 Articolo in Rivista|
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