The article aims to analyze the relationship between text and image in a specific textual typology: the classics of literature adapted and illustrated for children, published into the Billiken editorial collection since the 1930s and throughout the 20th century in Argentina. Based on the notion of adaptation (Hutcheon) and textual constellation (Gentzler), will be analyzed not so much the textual operations of paraphrase, synthesis or censorship of the original works, but rather the illustrations that accompany them, understood as iconic adaptations that create, together with the text, a complex semiotic system. The presence of images alters the order and rhythm of reading, favors subjective immersion in the story and sometimes makes it possible to read the text contrary to the pedagogical purposes for which it was adapted (Benjamin). The semiotic analysis of the images aims, on the one hand, to study the reception phenomena of the works and, on the other, to reflect on the social use of the literary canon. Finally, it is expected to reconstruct small fragments of a history of children's reading in Argentina.

Texto e imagen en los clásicos latinoamericanos adaptados e ilustrados para la infancia. El caso de la Biblioteca Billiken.

Salvioni, A.
2023-01-01

Abstract

The article aims to analyze the relationship between text and image in a specific textual typology: the classics of literature adapted and illustrated for children, published into the Billiken editorial collection since the 1930s and throughout the 20th century in Argentina. Based on the notion of adaptation (Hutcheon) and textual constellation (Gentzler), will be analyzed not so much the textual operations of paraphrase, synthesis or censorship of the original works, but rather the illustrations that accompany them, understood as iconic adaptations that create, together with the text, a complex semiotic system. The presence of images alters the order and rhythm of reading, favors subjective immersion in the story and sometimes makes it possible to read the text contrary to the pedagogical purposes for which it was adapted (Benjamin). The semiotic analysis of the images aims, on the one hand, to study the reception phenomena of the works and, on the other, to reflect on the social use of the literary canon. Finally, it is expected to reconstruct small fragments of a history of children's reading in Argentina.
2023
Universidad de Zaragoza Área de Teoría de la Literatura y Literatura Comparada
El artículo propone un análisis de la relación entre texto e imagen en una específica tipología textual: los clásicos de la literatura adaptados e ilustrados para el público infantil. El corpus elegido es la colección editorial Billiken que surge al margen de la revista homónima desde los años 30 y durante todo el siglo XX en Argentina. A partir de la noción de adaptación (Hutcheon) y de constelación textual (Gentzler), se analizan aquí no tanto las operaciones textuales de paráfrasis, síntesis o censura de las obras originales, sino las ilustraciones que las acompañan, entendidas como adaptaciones icónicas que crean, junto con el texto, un sistema semiótico complejo. La presencia de imágenes altera el orden y el ritmo de la lectura favorece la inmersión subjetiva en el relato y posibilita, a veces, una lectura del texto a contramano de las finalidades pedagógicas con las cuales fue adaptado (Benjamin). El análisis semiótico de las imágenes pretende, por un lado, descifrar los fenómenos de recepción de las obras y, por el otro, reflexionar sobre el uso social del canon literario. Por último, se espera reconstruir pequeños fragmentos de una historia de la lectura infantil en la Argentina.
Internazionale
https://papiro.unizar.es/ojs/index.php/tropelias/index
https://papiro.unizar.es/ojs/index.php/tropelias/article/view/7330
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11393/307030
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