Francesco Rosi: identificazione del potere

In the cinema of Francesco Rosi, from Salvatore Giuliano to Diario napoletano, the question of power and its political-circumstantial configurations or enunciative modalities has always been central, beyond contingent connotations such as those of a generically political or civil system. Without the guiding thread of the transversal analysis of power, in all its conformations and levels – high, medium and low –, a clear and exhaustive understanding of Rosi’s method and paradigm would be unthinkable, which cannot be reduced to the specific contexts which from time to time it has dealt with.

Studio delle dinamiche del potere, da quello mafioso a quello politico, nel corpus filmografico di Francesco Rosi per restituire un'idea di cinema civile, politico-indiziario e storicamente radicato nei contesti nazionali e internazionali.