Polish violinist and composer Michał Urbaniak is one of the most representative European jazz-rock musicians in the early Seventies.The improvised violectra cadence in “Ekim”, a piece of the album "Enactin" which gave the violinist international attention, is here analysed. The investigation shows some peculiar features of his creativity, i.e. large-scale coherence and structural development of motivic cells. These stylistics aspects, in the context of Audiotactile Theory, identify the relevant traits of visual cognitivity, in the larger field of audiotactile formativity.

Audiotattilità visiva di Michał Urbaniak. La cadenza di violectra in "Ekim"

V. Caporaletti
2018-01-01

Abstract

Polish violinist and composer Michał Urbaniak is one of the most representative European jazz-rock musicians in the early Seventies.The improvised violectra cadence in “Ekim”, a piece of the album "Enactin" which gave the violinist international attention, is here analysed. The investigation shows some peculiar features of his creativity, i.e. large-scale coherence and structural development of motivic cells. These stylistics aspects, in the context of Audiotactile Theory, identify the relevant traits of visual cognitivity, in the larger field of audiotactile formativity.
2018
LIm
Nazionale
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11393/243287
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