The author examines the epistles attributed to one of Plato’s pupils at the Academy, Chion of Heraclea Pontica, an actual historical figure who was at the head of a conspiracy that led to the killing of the tyrant Clearchus in 353/2 BC. The seventeen letters of this corpus are obviously inauthentic and were written several centuries after the facts: they form a coherent and continuous narrative group that is essentially an epistolary novel with a historical theme. In this chapter, the author proposes a new interpretation of the letters as an example of counterfactual history by drawing attention to a usually overlooked difference between the story of the historical Chion and that told in the correspondence. At the same time, the author shows how pseudo-Chion, influenced by the dominant ideology of his time, conceived this epistolary as a text open to multiple levels of interpretation. Finally, the author draws attention to a frequently neglected testimony preserved by the Suda, which may shed some light on the problem of the authorship of the text, connecting it to the figure of Timagenes/Timogenes of Miletus.
The Letters of Chion of Heraclea as Counterfactual History. With Some Remarks on Timagenes/Timogenes of Miletus
Beghini, Andrea
2026-01-01
Abstract
The author examines the epistles attributed to one of Plato’s pupils at the Academy, Chion of Heraclea Pontica, an actual historical figure who was at the head of a conspiracy that led to the killing of the tyrant Clearchus in 353/2 BC. The seventeen letters of this corpus are obviously inauthentic and were written several centuries after the facts: they form a coherent and continuous narrative group that is essentially an epistolary novel with a historical theme. In this chapter, the author proposes a new interpretation of the letters as an example of counterfactual history by drawing attention to a usually overlooked difference between the story of the historical Chion and that told in the correspondence. At the same time, the author shows how pseudo-Chion, influenced by the dominant ideology of his time, conceived this epistolary as a text open to multiple levels of interpretation. Finally, the author draws attention to a frequently neglected testimony preserved by the Suda, which may shed some light on the problem of the authorship of the text, connecting it to the figure of Timagenes/Timogenes of Miletus.| File | Dimensione | Formato | |
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