The Shrek saga represents a major contributor to the reimagining of fairy tales, challenging entrenched norms related to storytelling, aesthetics, and cultural expectations. The purpose of my presentation is to examine how the Shrek movies subvert traditional fairy tale conventions to critique rigid understandings of gender, genre, and societal ideals. Rooted in William Steig’s 1991 picture book Shrek!, a subversive fantasy comedy that eschewed sanitized fairy tale traditions in favor of humor and authenticity, the saga amplifies these principles through its transformative cinematic interpretation. As a matter of fact, the 2001 Dreamworks' movie adaption marked a cultural milestone, embedding its irreverent tone and unconventional protagonist into popular consciousness and redefining the fairy tale as a medium for satire and social critique. Through its satirical approach, Shrek dismantles archetypal portrayals of beauty, heroism, and "happily ever after" narratives, offering an alternative landscape where inclusivity, diversity, and imperfection are celebrated. By recontextualizing tropes—such as the noble hero or damsel in distress—Shrek not only questions aesthetic and social ideals but also destabilizes traditional gender roles, particularly in its portrayal of unconventional relationships and the empowerment of feminine protagonists. Fiona, for instance, is a complex character whose journey of self-acceptance upends the archetype of the "perfect princess." Therefore this presentation investigates the factors that determine how Shrek has cleverly exploits the classic structure of fairy tales and animation, subverting traditional archetypes demonstrating that true personal worth does not depend on pure appearances. However, in order to fully understand Shrek’s cultural and social values as the first animated movie to win an Oscar, it is essential to contextualize it as the "anti-fairy tale" in contemporary storytelling par excellence. The aim of this study is to argue that Shrek offers, even today, new perspectives on how to convey fundamental values such as empathy, respect and inclusion.

Shrek: the Anti-Fairy tale that Redefines Gender, Genre, and Cultural Narratives in Contemporary Storytelling

Petrassi Danilo
2025-01-01

Abstract

The Shrek saga represents a major contributor to the reimagining of fairy tales, challenging entrenched norms related to storytelling, aesthetics, and cultural expectations. The purpose of my presentation is to examine how the Shrek movies subvert traditional fairy tale conventions to critique rigid understandings of gender, genre, and societal ideals. Rooted in William Steig’s 1991 picture book Shrek!, a subversive fantasy comedy that eschewed sanitized fairy tale traditions in favor of humor and authenticity, the saga amplifies these principles through its transformative cinematic interpretation. As a matter of fact, the 2001 Dreamworks' movie adaption marked a cultural milestone, embedding its irreverent tone and unconventional protagonist into popular consciousness and redefining the fairy tale as a medium for satire and social critique. Through its satirical approach, Shrek dismantles archetypal portrayals of beauty, heroism, and "happily ever after" narratives, offering an alternative landscape where inclusivity, diversity, and imperfection are celebrated. By recontextualizing tropes—such as the noble hero or damsel in distress—Shrek not only questions aesthetic and social ideals but also destabilizes traditional gender roles, particularly in its portrayal of unconventional relationships and the empowerment of feminine protagonists. Fiona, for instance, is a complex character whose journey of self-acceptance upends the archetype of the "perfect princess." Therefore this presentation investigates the factors that determine how Shrek has cleverly exploits the classic structure of fairy tales and animation, subverting traditional archetypes demonstrating that true personal worth does not depend on pure appearances. However, in order to fully understand Shrek’s cultural and social values as the first animated movie to win an Oscar, it is essential to contextualize it as the "anti-fairy tale" in contemporary storytelling par excellence. The aim of this study is to argue that Shrek offers, even today, new perspectives on how to convey fundamental values such as empathy, respect and inclusion.
2025
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11393/361290
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