Nome |
# |
Simulacri dell’invisibile. “Cultura lignea” ed esigenze devozionali nella Camerino del Rinascimento, file de3e5026-5627-83cd-e053-3a05fe0a1d44
|
296
|
Il pericolo turco nella committenza dei cavalieri di Malta nel XVII secolo: Caravaggio e Mattia Preti, file de3e5026-56d7-83cd-e053-3a05fe0a1d44
|
197
|
Gli occhi di Argo. Un’indagine sugli sviluppi testuali e iconografici di un mito ovidiano a partire dalle Trasformationi di Lodovico Dolce e Giovanni Antonio Rusconi, file 423a733d-5d3a-48da-8441-84989ce271e4
|
101
|
In a Savannah of Images. Artistic Production and Public Spaces along the Kenyan Coast, file de3e5027-f461-83cd-e053-3a05fe0a1d44
|
99
|
Un dipinto "contra pestem" di Paolo da Visso. “Crisi della presenza” e simbologia della freccia nella pittura italiana del XV secollo, file de3e5026-556c-83cd-e053-3a05fe0a1d44
|
88
|
Visual literacy, cultural differences, postcolonial approach. Reading African contemporary art between Italy and Kenya, file a81112c5-a499-4a31-ac8b-3a11d876adc7
|
81
|
Prima dell’Eneide. Bacco ed Ercole nella decorazione delle stanze di Palazzo Buonaccorsi, file de3e5027-33d7-83cd-e053-3a05fe0a1d44
|
79
|
Per diventare Enea. Domenico Monti, Giovan Battista Carducci e l’interpretazione risorgimentale del Rinascimento, file de3e5026-5798-83cd-e053-3a05fe0a1d44
|
76
|
La valorizzazione del patrimonio culturale nei territori periferici. Un possibile approccio interdisciplinare applicato al caso di Mevale di Visso (MC), file de3e5027-33cc-83cd-e053-3a05fe0a1d44
|
56
|
Urban TICASS Kilifi – primary schools (Kenyan experience), file de3e5028-9adc-83cd-e053-3a05fe0a1d44
|
51
|
Sharing of Interpretative Paradigms for Visuality, file de3e5028-9a83-83cd-e053-3a05fe0a1d44
|
39
|
Images in the Borderlands. The Mediterranean between Christian and Muslim Worlds in the Early Modern Period, file f8cf99a2-76e0-4ff7-ac16-5c8f57d3faa9
|
38
|
Visual Literacy: Ability to decode images, file de3e5028-9f91-83cd-e053-3a05fe0a1d44
|
37
|
La memoria di Lepanto tra passato e presente (1571-2021), file de3e5028-b96a-83cd-e053-3a05fe0a1d44
|
31
|
Aggregazioni di memorie: obiettivi, metodologie, esiti, file de3e5026-5b30-83cd-e053-3a05fe0a1d44
|
29
|
Le fonti per gli studi ebraici tra ricerca e valorizzazione: il progetto Judaica Europeana, file de3e5026-5c17-83cd-e053-3a05fe0a1d44
|
21
|
Gestire il denaro, gestire la salvezza. Tre immagini a sostegno del Monte di Pietà: Marco da Montegallo, Lorenzo d'Alessandro e Vittore Crivelli, file de3e5026-5abb-83cd-e053-3a05fe0a1d44
|
19
|
Le fonti per gli studi ebraici tra ricerca e valorizzazione: il progetto Judaica Europeana, file de3e5026-9ce7-83cd-e053-3a05fe0a1d44
|
17
|
Ovid’s Hercules in 1497: A Greek hero in the translation of the Metamorphoses by Giovanni Bonsignori and in his woodcuts, file de3e5027-9afc-83cd-e053-3a05fe0a1d44
|
16
|
Roberto Farné (2019), Abbecedari e figurine. Educare con le immagini da Comenio ai Pokémon, Bologna: Marietti1820, 2019, 230 pp., file de3e5028-5d19-83cd-e053-3a05fe0a1d44
|
16
|
Per diventare Enea. Domenico Monti, Giovan Battista Carducci e l’interpretazione risorgimentale del Rinascimento, file de3e5026-5797-83cd-e053-3a05fe0a1d44
|
15
|
Comparing Perceptions: Westerners and Kenyans Facing Swahili Tangible Cultural Heritage. An Inquiry on Gede, Mnarani, and Jumba La Mtwana Ruins, file e7d6c014-e646-4cd6-bddc-35e7034c8fb7
|
14
|
Urban Ticass: università, scuola e territorio alla scoperta della città, file de3e5027-4c7a-83cd-e053-3a05fe0a1d44
|
13
|
The turn to the non-visitor in un contesto multiculturale. Presupposti teorici ed evidenze empiriche di una ricerca esplorativa, file de3e5026-d5b2-83cd-e053-3a05fe0a1d44
|
11
|
Katarina Horvat-Levaj, edited by (2019), The Collegiate Church of St. Blaise in Dubrovnik, Dubrovnik: The Dubrovnik Diocese – The Collegiate Church of St Blaise; Zagreb: Institute of Art History; Zagreb: ArTresor Publishers, 460 pp., file de3e5027-c524-83cd-e053-3a05fe0a1d44
|
11
|
The image of the Turkish Slave in a peripheral area of the Pontifical States: the case of the cycle of Villa Buonaccorsi in Potenza Picena, file de3e5028-75d2-83cd-e053-3a05fe0a1d44
|
10
|
Educational strategies for visual languages, file ce68dd35-8409-42ab-ad5c-5cb6152bfdfd
|
9
|
Parks, squares, streets, file de3e5027-bb48-83cd-e053-3a05fe0a1d44
|
9
|
A “Flood of images”. Notes on the fate of the “figure seen from behind” in the Digital Career Stories by the UniMC team, file 1be32db2-6305-4935-b35e-6a09f833a948
|
8
|
Conspectu legar populi: An Introduction to the Iconic Life of the Metamorphoses in Europe and Beyond, file ae36de0b-40fa-4e8d-b69f-921fa5fc9ac5
|
8
|
Bus/tram/other stops, file de3e5027-bb4c-83cd-e053-3a05fe0a1d44
|
6
|
Hermaphroditus and Iphis: texts and images from two Ovidian myths to visualize sexual ambiguity in the early modern age, file de3e5027-d613-83cd-e053-3a05fe0a1d44
|
6
|
Il giudice intruso: Mida nel supplizio di Marsia, file 0239bfd6-4fe2-4ede-84a6-c8f3950f058c
|
5
|
Recensione a Laura Stagno (2018), Giovanni Andrea Doria (1540-1606). Immagini, committenze artistiche, rapporti politici e culturali tra Genova e la Spagna, Genova: GUP, 396 pp., file de3e5027-4c75-83cd-e053-3a05fe0a1d44
|
5
|
Analysis of photographs contained in Visual Document, file de3e5027-bb43-83cd-e053-3a05fe0a1d44
|
5
|
Fields and frontiers of religious images: an introduction, file 244cdb9d-2c32-4d3d-a7d7-88e29d0156a1
|
4
|
Subalterno, centrale, periferico. Tre casi di studio sul rapporto tra visione mistica e immagine nella Marca pontificia di Età Moderna, file de3e5027-3434-83cd-e053-3a05fe0a1d44
|
4
|
Defeating the Enemy: the Image of the Turkish Slave in the Adriatic Periphery of the Papal States in the 18th Century, file de3e5027-d925-83cd-e053-3a05fe0a1d44
|
4
|
Giovanni Antonio Rusconi, Le storie di Adone: Mirra inseguita da Cinira / Nascita di Adone / Venere e Adone, file de3e5028-9aec-83cd-e053-3a05fe0a1d44
|
4
|
The Church of Saint Blaise in Ancona. Artistic Patronage of a Confraternity founded by Schiavoni, file f4f9e340-eb5c-473b-9de0-9ddd4309d6a7
|
4
|
The Trasformationi by Lodovico Dolce and Giovanni Antonio Rusconi: the placement of the images and their relation to the text, file 0569f877-223b-4e84-91bf-da243c0282c0
|
3
|
Libera nos a flagello terraemotus. Immagini e culti contro il terremoto nelle Marche meridionali del Settecento, file 23ca54b6-2a63-43e7-a699-bd5c3c4eddc8
|
3
|
Ovidio in tavola. Appunti sulla fortuna delle stampe di Giovanni Antonio Rusconi per le Trasformationi di Lodovico Dolce nella maiolica urbinate, file 6c31eaa2-8795-4b13-9fb2-da1b81cf43cf
|
3
|
Eloquent Images. Evangelisation, Conversion and Propaganda in the Global World of the Early Modern Period, file 721a0f6d-b6f1-4433-889d-611a1b1da05d
|
3
|
Iconography and Religious Otherness, file b39f2d59-c97e-4012-b17b-9c0cc1c3c918
|
3
|
The Fortunes and Misfortunes of Vulgarized Editions of Ovid’s Metamorphoses in Italy and Spain, file c718fb86-d0af-4ba2-becc-4a4f8f592272
|
3
|
Bottega del (?) Maître de Rambures, La figure de Venus et comment elle doit estre painte, file de3e5028-9ae6-83cd-e053-3a05fe0a1d44
|
3
|
Eroticism under a watchful eye. Censorship and alteration of xylographs in Ovid’s Metamorphoses between the 15th and the 16th centuries, file 412cfb39-d11b-4c0a-8270-89fbaebdeb8f
|
2
|
Antiquity and "libri". Ephebic male nudes in the mythological sculpture of Benvenuto Cellini, file 4976f21c-6eff-4372-9b93-b14889146777
|
2
|
Introduction to Session 1: The mystical mind as a divine artist: visions, artistic production, creation of images through empathy, file 4bc7890b-f33d-4ecc-b7ae-fb46afc5d046
|
2
|
Ovidius Pictus: Afterlives of the Metamorphoses in Europe, from Books to the Arts, file 7a6b1232-89ed-4f25-b416-fe5c54725efd
|
2
|
null, file b537d01b-b8d8-4b60-b6f8-b75ce63c68cf
|
2
|
"O Venus dea, io te priego, che tu me sii in adiutorio". Immagini della dea dell'amore dalle volgarizzazioni illustrate delle Metamorfosi di Ovidio, file b787f5e4-35bf-42de-894d-f03d40f25474
|
2
|
The Cauldron of St. Venera and the Comb of St. Blaise. Cult and Iconography in the Confraternities of Albanians and Schiavoni in Fifteenth–Century Ascoli Piceno, file de3e5027-3430-83cd-e053-3a05fe0a1d44
|
2
|
Visualizing Past in a Foreign Country: Schiavoni/Illyrian Confraternities and Colleges in Early Modern Italy in comparative perspective, file de3e5027-392d-83cd-e053-3a05fe0a1d44
|
2
|
Immagini della predicazione tra Quattrocento e Settecento. Crivelli, Lotto Guercino, file de3e5027-3930-83cd-e053-3a05fe0a1d44
|
2
|
The Pain of Ancient Gods and Heroes. The Use of Raised Arms as Pathosformel in Giovanni Antonio Rusconi's Xylographs for the Trasformationi by Lodovico Dolce, file de3e5028-5778-83cd-e053-3a05fe0a1d44
|
2
|
Giovanni Bonsignori, Venere e Marte nella trappola di Vulcano, file de3e5028-9ae8-83cd-e053-3a05fe0a1d44
|
2
|
null, file 5b118838-3905-4f50-b843-eff00494023d
|
1
|
An inquiry into the image of Jews in 15th-Century Istria. The iconography of the Jewish-Christian dispute, file bd97e6c6-e3c3-4f4f-93d6-f20a7eb81225
|
1
|
Il tempo delle fenici e degli unicorni. Giulia Farnese e il ciclo decorativo del castello di Carbognano, file d8b0d485-cafe-4703-80f8-f06d78c5995a
|
1
|
Prima dell'antisemitismo. La pittura antiebraica del Quattrocento, file de3e5027-342d-83cd-e053-3a05fe0a1d44
|
1
|
Two Marian Iconographic Themes in the Face of Islam on the Adriatic Coast in the Early Modern Period, file de3e5027-e1aa-83cd-e053-3a05fe0a1d44
|
1
|
Venere barbuta d Cipro / Venere piange la morte di Adone, file de3e5028-9af3-83cd-e053-3a05fe0a1d44
|
1
|
Ovid’s Legacy on Trial. Aristocratic Gender Roles in the Painted Vaults of Two Noble 18th-Century Palaces in Macerata, file e0912f82-8de0-455d-82ce-efd230e48316
|
1
|
Totale |
1.592 |