Lyre-Player Group Seals from the Athenaion of Jalysos The “stipe” of the sanctuary of Athana Ialysia at Rhodes, excavated between 1923 and 1926, yielded more than 6.300 pieces and is thus the most important on the Island. The offerings date from the middle of the eighth to the end of the fourth century BC. Among these materials is an especially interesting the group of seals of the Lyre-Player Group, comprising all of the 27 specimens. This is the second largest group found in the Mediterranean so far, after one from Pithekoussai, and raises the number of specimens found on Rhodes to about 50 (15 from Lindos, 3 from Kamiros). Along with a very rare four-faced specimen, there are several seals, some still with their original silver mount, showing iconographies already attested elsewhere, but including some very rare ones (trios of players, a player drinking from a wineskin, a fisherman) and some interesting variations which add to the existing repertoire (players alongside a tree or an ankh, astral symbols). The repertoire’s resemblance, in themes and style, to that found on Phoenician Egyptianizing products; the seals’distribution, which parallels that of athyrmata and specific classes of materials produced or attested in large quantities on Rhodes; the presence in the stips of very rare examples of rock crystal lenses, optical instruments, the work of master stonecutters; all these elements suggest that the seals were manufactured by Phoenician craftsman living and working on the island. Indeed, Rhodes played a crucial role in channelling exotic products towards the rest of the Aegean and the West.

I sigilli del Gruppo del Suonatore di Lira dalla stipe dell'Athenaion di Jalysos

RIZZO, MARIA ANTONIETTA
2009-01-01

Abstract

Lyre-Player Group Seals from the Athenaion of Jalysos The “stipe” of the sanctuary of Athana Ialysia at Rhodes, excavated between 1923 and 1926, yielded more than 6.300 pieces and is thus the most important on the Island. The offerings date from the middle of the eighth to the end of the fourth century BC. Among these materials is an especially interesting the group of seals of the Lyre-Player Group, comprising all of the 27 specimens. This is the second largest group found in the Mediterranean so far, after one from Pithekoussai, and raises the number of specimens found on Rhodes to about 50 (15 from Lindos, 3 from Kamiros). Along with a very rare four-faced specimen, there are several seals, some still with their original silver mount, showing iconographies already attested elsewhere, but including some very rare ones (trios of players, a player drinking from a wineskin, a fisherman) and some interesting variations which add to the existing repertoire (players alongside a tree or an ankh, astral symbols). The repertoire’s resemblance, in themes and style, to that found on Phoenician Egyptianizing products; the seals’distribution, which parallels that of athyrmata and specific classes of materials produced or attested in large quantities on Rhodes; the presence in the stips of very rare examples of rock crystal lenses, optical instruments, the work of master stonecutters; all these elements suggest that the seals were manufactured by Phoenician craftsman living and working on the island. Indeed, Rhodes played a crucial role in channelling exotic products towards the rest of the Aegean and the West.
2009
Internazionale
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11393/34861
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